Thought I'd post a couple of short reviews of albums I'm currently really into.
PAWS. - Pull Tiger Tail
After a string of single releases throughout 2006 and 2007, Pull Tiger Tail were widely anticipated to emerge as one of the top acts of '07. They recorded an album, but due to complications with their label B-Unique, it failed to surface, and PTT fell back into obscurity. Two years later, the album has fallen back into their hands, and they have given it a long-awaited self-release.
Listening to the album, you get the feeling that it would have stood a fair chance if it was released when it was intended to, and it does indeed sound like it has aged. But, hell, on a personal level this is so nostalgic. I saw them in March 2007, headlining a tour with Ali Love and Hadouken! It saddened me to see that most of the kids (I use that term correctly) switched off after Hadouken! left the stage. This is really why I was so excited to listen to this album, finally.
It's not just the old singles (some re-recorded) that impress here, the quality of the album tracks is fairly high. It seems they did what most recent British guitar-based indie rock bands failed to do by keeping your attention throughout the whole record, each song bringing something new to the table. Most songs are catchy and infectious, but retain melodic and lyrical charm.
By the sounds of things, PTT will be calling an end to the band sometime soon, with Marcus apparently doing some work with Noah And The Whale (poor bastard), but this record is a decent legacy to remember the band by. They strived for it, and now they can leave on a bang.
Rating 9/10
Key tracks: ... For No One, Let's Lightning, Hurricanes
[youtube]http://www.youtube.com/watch?v=bBphn7ZV0og[/youtube]
Let's Lightning promo video
In This Light And On This Evening – Editors
After previously releasing two favourable albums in
The Back Room and
An End Has A Start, Editors are trying to start a new chapter for themselves.
In This Light And On This Evening is the major turning point in their career.
Like many bands trying to reinvent themselves, Editors have experimented with synthesizers and drum machines in this effort. However, every song present could be realistically imagined with their synth loops replaced with their previously ever-present reverb-sodden guitars.
The title track is a slow-burning opener, eventually exploding into a rapture of distorted bass and pulsating drums. This is followed by
Bricks And Mortar, which ensures you are paying full attention to the record, built on Depeche Mode-style drum machine kicks. Lead single
Papillon is the catchiest on the album, introducing the new Editors to the world with a swift hook of “It kicks like a sleep twitch” interspersed into the song. The rest of the album continues in a similar vein, with further exploration into this new style of music, a particular highlight being
Eat Raw Meat = Blood Drool, a dark, brooding pop song with a driving drum beat and bassline.
Mainly through lead singer Tom Smith's vocal resemblance to Ian Curtis, Editors have been often compared to Joy Division, something the band and many others have resented, and so this album may inevitably be classified as their “New Order record”, their first foray into the electronic genre. Despite this, one thing is for sure, they are still Editors, and changes in instruments will not halt their songwriting abilities.
Rating 8/10
Key tracks: Bricks And Mortar, Papillon, Eat Raw Meat = Blood Drool
[youtube]http://www.youtube.com/watch?v=G38MzhgiOxw[/youtube]
Eat Raw Meat = Blood Drool, live on Later... With Jools Holland